“I used to work construction, so I could relate to that.” “All of a sudden there were 100 construction workers on stage, and it was much more interesting than anything in the opera,” he said. But when his kids were young, he and his wife decided to take them to see a family matinee of La Traviata. At the intermission, they left the curtain open, so the audience could see the set change. Filmmaker Jon Else,whose 2000 documentary, Sing Faster, about the stagehands working on Richard Wagner’s epic The Ring Cycle at the San Francisco Opera, didn’t used to be an opera fan.
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